I’m not on Twitter anymore, but I see John Rogers is still there bringing the fire. As I think I mentioned here a while back, I’m not in the WGA yet – applied, after writing the script for the Fifth Season film, but obviously everything’s on hold given this. (The script was being revised, but since the strike’s been called it’s “pencils down.”)
And the stakes are exactly as high as what John lays out here. I’ve already seen any number of absolute garbage takes on this – dismissing screenwriters as rich hacks who just want to get richer, stupidly suggesting that only some workers should matter (as if that won’t get weaponized against all of us), and worse. But whether y’all want to believe it or not, creative workers are workers, and the WGA is fighting for all of us right now.
May 2nd - Trope Day May 3rd - Supernatural/Magic May 4th - Budapest Day May 5th - Badass Day May 6th - Sex/Romance Day May 7th- First Meetings/Recruitment May 8th - AU Days
People horrifically fucking up facts about evolution and genetics too support their stupid beliefs or to seem smart and “rational” is probably one of my big pet peeves
Yeah. An enormous number of racists, misogynists, homophobes and transphobes I’ve met eventually whip out something about evolutionary biology and they never, ever, ever, ever have the slightest shadow of even a half-right idea what any of it means or ever cite a claim ever actually made by a scientific study.
Here’s a quick handy reference list or anyone who isn’t sure:
Homosexuality does exist in almost all social species.
“Alpha males” are not a real phenomenon and in fact the most aggressive males tend to be the least reproductively successful.
“Survival of the fittest” simply means that the success of a species hinges on how well it “fits” its environment. It does not mean that stronger or smarter individuals are supposed to succeed. Those things can even be a detriment in nature by wasting too many resources.
“Race” is not a biological concept. Someone who looks different from you has the same human genes, just a different grab-bag of dominant traits.
Evolution is not a march towards higher complexity, more intelligence or even more adaptability. It’s just a fluctuation of characteristics dictated by environmental pressures and mutation. A slime mold isn’t “less evolved” than a hawk, just adapted for success under different parameters.
People didn’t evolve “from apes.” It’s more complicated than that. We are a category of ape, sharing a common ancestor with the other apes.
No human on Earth is “closer” to an evolutionary ancestor than any other. We all descended from the same one.
Neanderthals were also a “sibling” species of ours. We didn’t evolve from them.
Some of us did, however, cross-breed with Neandethal man. It is exclusively non-African races, such as white people, who still carry hybrid human/Neanderthal genes. Whoops, sorry “white purity” skinheads, you’re actually mixed with a whole other species.
Some more stuff!
Humans are actually more genetically homogeneous than most people suspect. This is possibly due to a population bottleneck at some point in our evolutionary past. Two chimpanzees from different sides of a jungle are likely more genetically different to each other than any two human beings in the world.
Our big brains may help us use tools, but what was really principal in their development was the need for empathy, communication, and cooperation.
Humans. Are. Social. So social it drove an incredibly energetically costly increase in our brain size. Don’t believe anyone who says its our nature to fight “every man for themself.” We’re humans, not bears. We fight for each other.
And we always have. Fossil remains are found of ancient humans who bore signs of crucial mobility impairments that lived to notable ages. Some even have sticks or other mobility aids – community care and support is our way. We don’t cast off those with impairments, we stand by them.
Human sexual dimorphism is on a decreasing trend. Our ancestors had greater difference in canine size and overall size. Our dimorphism gap has gotten smaller.
Occam’s razor is the principal that whatever is the simplest explanation is probably the most likely one. Don’t believe someone who says the reason we evolved bipedalism is so that males could carry gifts to females to woo them. Yes, this is a real ‘theory’ on how bipedalism evolved.
Skin tone is an adaptation of UV levels vs vitamin D levels. Both come from the sun. UV is harmful, so where sun is plentiful populations develop a darker skin tone for more protection. The skin needs sun to create vitamin D, so where sun is scarce, the skin tone lightens to allow more sun in. This is literally all it is.
Final thing: No one’s mind is really equipped to fully understand how long a billion years is, or a million, or even tens of thousands of years. Evolution takes place over a loooong time. Its very, very, slow, slower than we can really comprehend. We can’t “stand in the way” of natural selection by caring for our ill. We don’t need to “help” evolution in any way. It inevitably happens, but not on any sort of timescale we could possibly affect, so don’t fall for anyone that tells you not to “stand in the way” of natural selection. That’s fascism, and its utterly pseudo-scientific.
Not to mention natural selection doesn’t have a “will” that you can stand in the way of. Its not an entity with wants, its a millions-year long process. And its impossible for our decisions to “stand in its way.” Our decisions to care for one another are what brought our species where it is, plain and simple.
Friendly reminder the the only duty fanwriters have when they publish their work online is to follow the ToS of the website they are posting on.
In particular when it comes to Ao3, when you use the website and access its content “you understand that using the Archive may expose you to material that is offensive, triggering, erroneous, sexually explicit, indecent, blasphemous, objectionable, grammatically incorrect, or badly spelled.”
All of that is allowed to exist on the archive. Your readers should know that, and it’s not your responsibility to change your work according to their moral policing. If it’s allowed on Ao3 you have every right to post it.
In fact, the ToS also state: “Unless it violates some other policy, we will not remove Content for offensiveness, no matter how awful, repugnant, or badly spelled we may personally find that content to be.”
Don’t let anyone stop you from writing what you enjoy. Moderate comments if you get nasty ones and don’t hesitate to issue a complain if someone harasses you, because while your fanwork is allowed on Ao3, harassment is not.
On Ao3, users can’t post:
spam and commercial promotion;
code and files that would threaten the integrity of the website or be
hazardous to users’ computers;
content covered by copyright without trasformative use and/or plagiarism;
other morally dubious content of any nature that I forgot listing;
And you don’t even need to tag anything. That’s a courtesy you’re doing to your readers, because according to the Ao3 ToS:
“Users are responsible for reading and heeding the warnings provided by the creator. Risk-averse users should keep in mind that not all content will carry full warnings. If you want to know more, you may also wish to consult the bookmarks that people other than the creator have used to categorize the fanwork.
Some creators do not want to put specific ratings or warnings on their works. Our policy aims to enable creators to choose appropriate labels or to opt not to use ratings and warnings, with the understanding that some users will avoid unrated or unwarned content.”
“Our goal is to provide the maximum amount of control and flexibility for all users of the Archive, both creators and audiences, so that each user can customize their experience. It’s always possible for creators to use “not rated” or “choose not to use Archive warnings,” but audiences will always be able to avoid unrated or unwarned fanworks if that’s how they want to use the Archive.”
“This system is designed to offer numerous different ways to customize the experience on the Archive, which should in general accommodate users’ desires for warnings or to avoid warnings, along with authors’ ability to choose the appropriate warning or to choose not to provide warnings. In most cases, users can control their experiences by accessing only fanworks that have ratings and warnings that are acceptable to them, and creators can use their artistic judgment about what ratings and/or warnings, if any, ought to be on a fanwork.”
People who start crusades against your fics are childish and you should ignore them, report them or prevent them from commenting in the first place (by moderating comments or not allowing anonymous comments altogether, or both if necessary). If they harass you on some other SNS, block them.
I’ll say more: even if your fic went against the ToS of the archive you’re posting on, people harassing you and insulting you in the comments and outside of them would still be in the wrong. If your fic was against the ToS, another user could a) politely warn you explaining clearly what points of the ToS you violated; b) if you refuse to change/take it down because you think it doesn’t violate the ToS, then report your fic to the archive administrators and let them handle it. Not insult you, not bully you, not starting a crusade against you. That’s never right, and that’s always harassment.
Seeing that actual books and other forms of fiction (the ones they sell in stores) often do not explicitly condemn morally wrong actions, why do people on this website only go after fanworks written/drawn by literal nobodies on the internet and read/looked at by, what, 1k, 2k people? (if it’s a successful and famous fic/art that is) instead of going after books (ie, but also movies, or other) that sold millions of copies? (ie: some of the books I mentioned earlier, but also books like A Song Of Ice And Fire, some of Irvine Welsh and Chuck Palahniuk’s books and a lot more)
Since “fiction influences reality” (I have to see an actual study on that claim yet), where are your petitions and your criticism against actual literature that talks about problematic themes and reaches way more people than fanfiction? Why do you only want to censor fanworks? I don’t see thousand of posts and discussions about what piece of fiction should or should not be sold in stores. (And I’m glad I don’t, because I’m pretty sure George R.R. Martin would not be happy to be called “gross” and “disgusting” and he could even have the financial means to make you stop through legal measures if he wanted to.)
Think about it, fellow fanwriters. Did you really write something so “problematic” that no work of “official” art has never touched that theme before you? And since the answer 99% of the time is no, why are these people coming after you so concerned with your fic and you instead of being concerned with that book/song/movie? Isn’t it because you’re more vulnerable than a famous and possibly dead writer? Isn’t it because they can guilt you into deleting everything and feeling ashamed about producing something they didn’t like, while that’s not achievable with a famous and possibly dead writer?
What you write might be shitty or a masterpiece, but you have the right to publish it on the internet if it doesn’t violate the ToS of the website you chose. Go out and publish all the problematic content you want. And if someone gives you shit for it, please, please, please, do not delete it. As much as some nasty people might hate your work, others like it, others care. I care.
If you feel like you need support or advice about this particular matter, feel free to hmu. I’m here for you.
^This. A thousand times this. I know it hurts when people are awful to you about a work you’ve posted, but they’re wrong. They’re shitty people and they’re bullies. If you can, please continue to write and post the shit that they hate just to make sure they do not win. Because that’s what they want: a “win”. Don’t give it to them!